PITCH BLACK
Screenplay
by
David Twohy
Based on material by Ken and Jim Wheat
Revised First Draft
3/3/98
Though mentioned often in the script, the creatures in PITCH BLACK are
seldom seen at length; rather, they are glimpsed, they are heard, they are
felt. They are, really, the embodiment of your nocturnal fears: A howling
coyote that jars you awake; the painting on the wall that comes to life
GONE IN 60 SECONDS
by Scott Rosenberg
4/6/99
"I wonder," Toad said to himself presently, "I wonder
if this sort of car starts easily?"
Next moment, hardly knowing how it came about, he
found that he had hold of the handle and was turning
it. As the familiar sound broke forth, the old
passion seized on Toad and completely mastered him,
body and soul ... He increased his pace, and as the
car devour
As they travel, various objects (pens, tapes, CDs, toiletries, ties, sunglasses, etc.) either fall or are discarded from inside their jackets.
They are pursued by two hard-looking Store Detectives in identical uniforms. The men are fast, but Renton and Spud maintain their lead.
RENTON (V.O.)
Choose life. Choose a job. Choose a career. Choose a family, Choose a fucking big television, Choose washi
→ Station②는 채집 도중에 실수가 있어서 다른 조에 비해서 개체수가 적었다. 또 오전8시경에 채집을 한 것이어서 밤에 채집한 Station①과 비교하면 확연한 개체수의 차이를 볼 수 있다. 이는 플랑크톤의 수직운동(Vertical Migration,)의 원인인 것으로 보인다. Station②는 3조,4조 비슷한 균등도를 나타내고 있
Date & Location
실습 기간 : 2010. 9. 27(월) ~ 9. 30(목)
기항지 : 부산항 → 제주도항 → 거문도항 → 부산항
선명 : 가야호
줄이 달린 그물 아랫자락이 해저에 닿도록 한 뒤 수평방향으로 끌어 해저 가까이에 사는 어족을 잡는 방법
주어획대상 : 조기 갈치 명태 새우 등
그물을 끄는 방법